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Mustafa Esirkuş (1921 - 1986) Click for Artist Information

"Fisherman"

Marine Life and Fishermen as a Local Myth Model: How did the interest in the lives of people who make their living from the sea begin in Esirkuş's art, and what were the factors that led him to paint around this interest? We do not have enough information or data to answer this question. In his fishermen paintings he paint these people as pulling nets from the sea, weaving nets, casting their nets into the sea to catch fish, chatting among themselves, sharing their rations, guarding the dive, carrying fish boxes after the return of the catch, or as a fishing family.

Kaya Özsezgin, "Mustafa Esirkuş", İş Bankası Kültür Publishers, 2006, page 46

Oil on hardboard

58 x 21 cm

signed

Estimated:150.000TL - 200.000TL

Your Maximum Bid: TL

Current Price: TL Losing Winning

Buyer's Premium: 10% V.A.T.: 28,600.00 TL Total Amount: 171,600.00 TL

Nevzat Akoral

Nevzat Akoral

NEVZAT AKORAL (1926 - 2016)

Nevzat Akoral, born in 1949, worked as an art teacher in high schools and teacher training schools after graduating from Gazi Education Institute, Department of Painting. He went to the USA with a scholarship he won in 1962; He studied graphics at Indiana University. On his return, he entered the Gazi Education Institute and taught graphics courses until his retirement in 1976.

The artist, who mostly applied original printing techniques while working on his subjects, made linocut and woodblock prints, which were mainly used in his early years. Nevzat Akoral, whose subject is the people and life of the Central Anatolia region, turned to oil painting after the 70s. He made paintings that consider the environment, nature and human relations, such as his works Herd, Rooster, Herd, Goats in the Shadow, Winter in Mahmudiye, Return to the Village, Grape Harvest in Hasanoğlan and Side. Akoral, who produces works in the field of graphics and is also known for his original print works. In the 1970s, he added Ankara slums to his compositions about the local characteristics and daily lives of Anatolian people. He used plastic elements such as lines, stains, paints and patterns with great care.

The artist, who received achievement awards at the State Painting and Sculpture Exhibition in 1974, 1975 and 1987, and the Atatürk's 100th Birth Anniversary Exhibition Award in 1981, passed away in 2016. The artist also has works in the collections of the State Painting and Sculpture Museum, private and official collections.