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Fikret Mualla (1903 - 1967) Click for Artist Information

"Nude"

Nudes: It is difficult for Fikret Mualla to ponder just like the classical artist attitude when creating a series of paintings. Portraits, model the identity of the person they represent but this does not show openly. Paintings that are within this group, such as a nude woman, he is more interested in relaying an average drawing of the figure rather then painting it. That is why “nudity”, has not been painted with an “erotic” vision. According to Abidin Dino Mualla’s female nudes and female heads are full of feelings and attractiveness. They have been “Drawn” and look like they are “not oil based”- maybe because of this they let the viewer get goose bumps from the young beauty. The nudes carry the magic of the unreachable goal. It is not woman, but womanhood in that. Mualla tresspasses the story, reaches to the general view. Maybe to understand womanhood, like Fikret he dreamt of them as much as he would dream and have waited.  

Yalın Alpay & Prof Dr.Emre Alkin, “Moualla’nın Sanatı”, Sosyal Yayınları, 2016, Sayfa: 103, 10

Gouache on paper

32 x 53 cm

signed

This work has a certificate prepared by Bayram Karşıt.

Estimate: 700.000 TL - 1.000.000 TL

Starting Bid: 500,000 TL

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Buyer's Premium: 10% V.A.T.: 187,000.00 TL Total Amount: 1,122,000.00 TL
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Fikret Mualla

Fikret Mualla

FİKRET MUALLA (1903 - 1967)

He was born in Istanbul in 1903. He studied at Galatasaray High School. He spent a while in Switzerland, Germany and France to study engineering. In 1930, he changed his mind and returned to Turkey. He organized his first personal exhibition in Istanbul in 1934 and worked as an art teacher for a while. He settled in Paris in 1938. Instead of a regular education, Mualla left himself to the free formation of his instincts. Fikret Mualla, who lived a difficult but productive life in Paris, where he came as a result of a search, managed to attract attention by systematizing a new and original approach to painting in a very modest way - in the context of observations about daily life. Mualla, who breathes the bohemian atmosphere of bars and cafes, especially in the troubled atmosphere of the Second World War, is an important attitude that stands out with its level of expression, composition and color sensitivity within the figure tradition. The series he created with the gouache technique on paper, which is a suitable basis for rapid production, was quick to produce a solution that found its counterpart in the synthesis of Fauvism and Expressionism, integrating with the colorist sensitivity based on the Post-Impressionist heritage and partly on Henri Matisse. At this stage it is official; While determining according to the result of a spontaneous sensitivity's desire to observe and transform; He also tied the pursuit of painting to a problem of existence.

This Paris adventure, which essentially lies in exclusion and inability to hold on to one's own country, seems to have turned into a sad story that lasts until the end of one's life, in pursuit of a closed-circuit relationship that finds meaning only in producing paintings. Contrary to the extravagance and disorder in his life, his paintings reflect an artist's attitude that dominates the subject and style. Paris' entertainment venues, drinking halls, people walking on the streets, and cafes are displayed with colorful expressions in Fikret Mualla's large and small paintings. Fikret Mualla is the first Turkish artist who managed to open the doors of our contemporary art of painting to the Western world with his tragic life and depression and the original-personality structure of his painting and was able to make a name for himself in Western sources. Mualla, whose works are in various international museums and private collections, died in Paris in 1967.