Lot: 1
Current Price: 4,000 TL Starting Bid: 4,000 TL Estimated: TL Losing Winning
Murano Glass Table Mirror
This beautiful table mirror was made by Murano glass masters without any usage of mold. "Murano Mirrors", which are part of the artistic architecture of Venice, are carved with the "Rovescio" technique to make the outer surface smooth to the touch by carving the back side of the mirror. XV. The Louis style table mirror is etched with flower decoration and embellished with glass flowers. A few yellow flowers are missing.
20th century
32x30 cm
Pey veremezsiniz.
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![Murano Glass Table Mirror-This beautiful table mirror was made by Murano glass masters without any usage of mold. "Murano Mirrors", which are part of the artistic architecture of Venice, are carved with the "Rovescio" technique to make the outer surface smooth to the touch by carving the back side of the mirror. XV. The Louis style table mirror is etched with flower decoration and embellished with glass flowers. A few yellow flowers are missing.]()
Lot No: 1
Lot: 1
Murano Glass Table Mirror-This beautiful table mirror was made by Murano glass masters without any usage of mold. "Murano Mirrors", which are part of the artistic architecture of Venice, are carved with the "Rovescio" technique to make the outer surface smooth to the touch by carving the back side of the mirror. XV. The Louis style table mirror is etched with flower decoration and embellished with glass flowers. A few yellow flowers are missing.
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![Murano Glass Table Mirror-This beautiful table mirror was made by Murano glass masters without any usage of mold. "Murano Mirrors", which are part of the artistic architecture of Venice, are carved with the "Rovescio" technique to make the outer surface smooth to the touch by carving the back side of the mirror. XV. The Louis style table mirror is etched with flower decoration and embellished with glass flowers. A few yellow flowers are missing.]()
Lot No: 2
Lot: 2
Murano Glass Table Mirror-This beautiful table mirror was made by Murano glass masters without any usage of mold. "Murano Mirrors", which are part of the artistic architecture of Venice, are carved with the "Rovescio" technique to make the outer surface smooth to the touch by carving the back side of the mirror. XV. The Louis style table mirror is etched with flower decoration and embellished with glass flowers. A few yellow flowers are missing.
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![19th Century Helena Wolfsohn Porcelain Cup and Saucer-Porcelain cup and saucer, shaped like a four-leaf clover with figural reserves is in the Meissen style and marked for Dresden. The hand-painted set is decorated with gilding motifs and drawings which Helena Wolfsohn is influenced by Jean-Antoine Watteau's paintings of courtship and romantic love in idyllic settings. The cup has a lid and handles on both sides.]()
Lot No: 3
Lot: 3
19th Century Helena Wolfsohn Porcelain Cup and Saucer-Porcelain cup and saucer, shaped like a four-leaf clover with figural reserves is in the Meissen style and marked for Dresden. The hand-painted set is decorated with gilding motifs and drawings which Helena Wolfsohn is influenced by Jean-Antoine Watteau's paintings of courtship and romantic love in idyllic settings. The cup has a lid and handles on both sides.
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![19th Century Helena Wolfsohn Porcelain Chocolate Cup and Saucer-Porcelain chocolate cup and saucer, shaped like a four-leaf clover with figural reserves is in the Meissen style. The hand-painted set is decorated with gilding motifs, flower and leaf reliefs and Jean-Antoine Watteau's paintings of idyllic courtship and romantic love. The cup has a lid and handles on both sides.]()
Lot No: 4
Lot: 4
19th Century Helena Wolfsohn Porcelain Chocolate Cup and Saucer-Porcelain chocolate cup and saucer, shaped like a four-leaf clover with figural reserves is in the Meissen style. The hand-painted set is decorated with gilding motifs, flower and leaf reliefs and Jean-Antoine Watteau's paintings of idyllic courtship and romantic love. The cup has a lid and handles on both sides.
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![19th Century Helena Wolfsohn Porcelain Chocolate Cup and Saucer-Porcelain chocolate cup and saucer, shaped like a four-leaf clover with figural reserves is in the Meissen style. The hand-painted set is decorated with gilding motifs, flower and leaf reliefs and Jean-Antoine Watteau's paintings of idyllic courtship and romantic love. The cup has a lid and handles on both sides.]()
Lot No: 5
Lot: 5
19th Century Helena Wolfsohn Porcelain Chocolate Cup and Saucer-Porcelain chocolate cup and saucer, shaped like a four-leaf clover with figural reserves is in the Meissen style. The hand-painted set is decorated with gilding motifs, flower and leaf reliefs and Jean-Antoine Watteau's paintings of idyllic courtship and romantic love. The cup has a lid and handles on both sides.
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![19th Century Helena Wolfsohn Porcelain Lidded Milk Jug-Porcelain milk jug with a lid is in the Meissen style with a 19th Century "Galante" scene and floral pattern. The hand-painted jug is decorated with gilding motifs and includes side handles with a floral relief on the lid.]()
Lot No: 6
Lot: 6
19th Century Helena Wolfsohn Porcelain Lidded Milk Jug-Porcelain milk jug with a lid is in the Meissen style with a 19th Century "Galante" scene and floral pattern. The hand-painted jug is decorated with gilding motifs and includes side handles with a floral relief on the lid.
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![Italian Sterling Silver Overlay Cobalt Blue Glass Liquor Decanter Set-An Italian sterling silver overlay cobalt blue glass liquor decanter set. With sterling silver cherry tree pattern, cobalt blue glass liquor decanter and 6 small liquor glasses.]()
Lot No: 7
Lot: 7
Italian Sterling Silver Overlay Cobalt Blue Glass Liquor Decanter Set-An Italian sterling silver overlay cobalt blue glass liquor decanter set. With sterling silver cherry tree pattern, cobalt blue glass liquor decanter and 6 small liquor glasses.
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![Mustafa Pilevneli Bronze Vase Sculpture -27x16x16,5 cm]()
Lot No: 8
Lot: 8
Mustafa Pilevneli Bronze Vase Sculpture -27x16x16,5 cm
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![Wanzer Labeled Sewing Machine-Canadian "Wanzer" branded sewing machine designed in the form of a record player with a porcelain handle. The machine, painted black, is fixed to a circular wooden base. In working condition.]()
Lot No: 9
Lot: 9
Wanzer Labeled Sewing Machine-Canadian "Wanzer" branded sewing machine designed in the form of a record player with a porcelain handle. The machine, painted black, is fixed to a circular wooden base. In working condition.
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![Wooden Chest with Iron Hinges-This chest from the 19th century was forged by hand. It has iron handles that are combined with iron hinges. It is equipped with a candle box on the inside. These chests, which are generally made of teak, rosewood or jackfruit wood, were used for wrapping textiles, jewelery and valuables in the period. As it is.]()
Lot No: 10
Lot: 10
Wooden Chest with Iron Hinges-This chest from the 19th century was forged by hand. It has iron handles that are combined with iron hinges. It is equipped with a candle box on the inside. These chests, which are generally made of teak, rosewood or jackfruit wood, were used for wrapping textiles, jewelery and valuables in the period. As it is.
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![Malatya Cicim Kilim Rug-Hand woven cicim kilim rug, comprised of interlocking strands of wool with large scale colored patterned strands.]()
Lot No: 11
Lot: 11
Malatya Cicim Kilim Rug-Hand woven cicim kilim rug, comprised of interlocking strands of wool with large scale colored patterned strands.
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![Malatya Kilim Rug-Malatya, hand woven kilim rug.]()
Lot No: 12
Lot: 12
Malatya Kilim Rug-Malatya, hand woven kilim rug.
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![Malatya Sinanlı Kilim Rug-Malatya, hand woven kilim rug.]()
Lot No: 13
Lot: 13
Malatya Sinanlı Kilim Rug-Malatya, hand woven kilim rug.
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![Konya Obruk Kilim Rug-Konya Obruk 1930's hand woven kilim rug.]()
Lot No: 14
Lot: 14
Konya Obruk Kilim Rug-Konya Obruk 1930's hand woven kilim rug.
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![Central Anatolian Double Saddle Bag-Central Anatolian wool and cotton hand woven double saddle bag]()
Lot No: 15
Lot: 15
Central Anatolian Double Saddle Bag-Central Anatolian wool and cotton hand woven double saddle bag
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![Caucasian Patterned Anatolian Flat Weave Kilim Rug-19th century Caucasian patterned Anatolian flat weave kilim rug, woven with vegetable dyed wool]()
Lot No: 16
Lot: 16
Caucasian Patterned Anatolian Flat Weave Kilim Rug-19th century Caucasian patterned Anatolian flat weave kilim rug, woven with vegetable dyed wool
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![Anatolian Cicim Kilim Rug-Hand woven Anatolian cicim kilim rug, comprised of interlocking strands of wool with large scale colored patterned strands.]()
Lot No: 17
Lot: 17
Anatolian Cicim Kilim Rug-Hand woven Anatolian cicim kilim rug, comprised of interlocking strands of wool with large scale colored patterned strands.
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![Anatolian Cicim Kilim Rug-Hand woven cicim kilim rug, comprised of interlocking strands of wool with large scale colored patterned strands.]()
Lot No: 18
Lot: 18
Anatolian Cicim Kilim Rug-Hand woven cicim kilim rug, comprised of interlocking strands of wool with large scale colored patterned strands.
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![Sivas Kilim Rug-Sivas 1930's hand woven kilim rug.]()
Lot No: 19
Lot: 19
Sivas Kilim Rug-Sivas 1930's hand woven kilim rug.
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![Anatolian Woven Kilim-Hand woven kilim with vegetable dyed wool.]()
Lot No: 20
Lot: 20
Anatolian Woven Kilim-Hand woven kilim with vegetable dyed wool.
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![1800 "George Prior" Gold Plated Pocket Watch-George Prior was a watchmaker in London, famous for producing multi-case luxury watches for the Ottoman market, especially for the Ottoman courtesy between 1770 and 1825.
A pleasant gold plated pocket watch. There are some minimal scratches on the porcelain dial. From the serial number of the watch, it appears to be made in 1800 and was built by Ralfokd Pender for George Prior. As it is, without a key.]()
Lot No: 21
Lot: 21
1800 "George Prior" Gold Plated Pocket Watch-George Prior was a watchmaker in London, famous for producing multi-case luxury watches for the Ottoman market, especially for the Ottoman courtesy between 1770 and 1825. A pleasant gold plated pocket watch. There are some minimal scratches on the porcelain dial. From the serial number of the watch, it appears to be made in 1800 and was built by Ralfokd Pender for George Prior. As it is, without a key.
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![1865 K. Et H. Arabian Ottoman Silver Pocket Watch]()
Lot No: 22
Lot: 22
1865 K. Et H. Arabian Ottoman Silver Pocket Watch
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![1865 - 1880 Osmanlı Longines Nacib K. Djezvedjian İstanbul Gümüş Cep Saati, Anahtarlı Köstek Zincirli]()
Lot No: 23
Lot: 23
1865 - 1880 Osmanlı Longines Nacib K. Djezvedjian İstanbul Gümüş Cep Saati, Anahtarlı Köstek Zincirli
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![1850-1890 Billodes K. Serkisoff Ottoman Silver Pocket Watch-K. Serkisoff brand silver pocket watch made for the Ottoman Army between 1860 and 1890, with Ottoman Empire emblem on the front silver cover. Works fine, original key.]()
Lot No: 24
Lot: 24
1850-1890 Billodes K. Serkisoff Ottoman Silver Pocket Watch-K. Serkisoff brand silver pocket watch made for the Ottoman Army between 1860 and 1890, with Ottoman Empire emblem on the front silver cover. Works fine, original key.
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![J. Dent London Silver Pocket Watch with Sultan's Tughra-J.Dent London Brand Silver Pocket Watch with Sultan's Tugra on the dial plate. Works fine, original key.]()
Lot No: 25
Lot: 25
J. Dent London Silver Pocket Watch with Sultan's Tughra-J.Dent London Brand Silver Pocket Watch with Sultan's Tugra on the dial plate. Works fine, original key.
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![Sultan Selim III Ottoman Mühendishane Period Bronze Astrolabe, Dated H.1222 (1807)]()
Lot No: 26
Lot: 26
Sultan Selim III Ottoman Mühendishane Period Bronze Astrolabe, Dated H.1222 (1807)
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![Genealogy Document]()
Lot No: 27
Lot: 27
Genealogy Document
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![Calligraphic composition with Emin Barın's (1913-1987) Colophone -Written in a circular calligraphic composition, consisting of besmele (bismillahirrahmanirrahim, ‘In the name of God, the Merciful, the Compassionate) with Emin Barın's colophon.]()
Lot No: 28
Lot: 28
Calligraphic composition with Emin Barın's (1913-1987) Colophone -Written in a circular calligraphic composition, consisting of besmele (bismillahirrahmanirrahim, ‘In the name of God, the Merciful, the Compassionate) with Emin Barın's colophon.
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![Sultan III.Selim (1761-1808) Berat with hand drawn Tugra-About "tımar"(Ottoman system of assignment of land for use) in Kütahya-Simal.]()
Lot No: 29
Lot: 29
Sultan III.Selim (1761-1808) Berat with hand drawn Tugra-About "tımar"(Ottoman system of assignment of land for use) in Kütahya-Simal.
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![Sultan Abdülaziz (1277 - 1293) Berat with hand drawn Tugra-About appointment to the Mehmet Pacha Foundation in İstanbul.]()
Lot No: 31
Lot: 31
Sultan Abdülaziz (1277 - 1293) Berat with hand drawn Tugra-About appointment to the Mehmet Pacha Foundation in İstanbul.
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![Robert de Vaugondy et fils - Etats du Grand-Seigneur en Asie, Perse, Pays des Usbecs, Arabie, Egypte-This map shows the area covered by the Ottoman Empire in Asia, the Persian Empire, Arabia and Egypt. The hand-colored map describes the desert on the south and west of present-day Bahrain, Qatar and the United Arab Emirates as "waterless and uninhabited." The map was made by Gilles Robert de Vaugondy and his son, one of the most important cartographers of the 18th century.]()
Lot No: 32
Lot: 32
Robert de Vaugondy et fils - Etats du Grand-Seigneur en Asie, Perse, Pays des Usbecs, Arabie, Egypte-This map shows the area covered by the Ottoman Empire in Asia, the Persian Empire, Arabia and Egypt. The hand-colored map describes the desert on the south and west of present-day Bahrain, Qatar and the United Arab Emirates as "waterless and uninhabited." The map was made by Gilles Robert de Vaugondy and his son, one of the most important cartographers of the 18th century.
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!["An Ichoglan" Dalvimart, "The Costume of Turkey" Book Engraving-Octavien Dalvimart, “The Costume of Turkey”, London 1802. Colored in its period.]()
Lot No: 33
Lot: 33
"An Ichoglan" Dalvimart, "The Costume of Turkey" Book Engraving-Octavien Dalvimart, “The Costume of Turkey”, London 1802. Colored in its period.
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!["Un Soldat" Dalvimart, "The Costume of Turkey" Book's Engraving-Octavien Dalvimart, “The Costume of Turkey”, London 1802. Colored in its period.]()
Lot No: 34
Lot: 34
"Un Soldat" Dalvimart, "The Costume of Turkey" Book's Engraving-Octavien Dalvimart, “The Costume of Turkey”, London 1802. Colored in its period.
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!["A Turk" Dalvimart, "The Costume of Turkey" Book's Engraving-Octavien Dalvimart, “The Costume of Turkey”, London 1802. Colored in its period.]()
Lot No: 35
Lot: 35
"A Turk" Dalvimart, "The Costume of Turkey" Book's Engraving-Octavien Dalvimart, “The Costume of Turkey”, London 1802. Colored in its period.
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!["Derwise" Dalvimart, "The Costume of Turkey" Book's Engraving-Octavien Dalvimart, “The Costume of Turkey”, London 1802. Colored in its period.]()
Lot No: 36
Lot: 36
"Derwise" Dalvimart, "The Costume of Turkey" Book's Engraving-Octavien Dalvimart, “The Costume of Turkey”, London 1802. Colored in its period.
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!["An Albanian" Dalvimart, "The Costume of Turkey" Book's Engraving-Octavien Dalvimart, “The Costume of Turkey”, London 1802. Colored in its period.]()
Lot No: 37
Lot: 37
"An Albanian" Dalvimart, "The Costume of Turkey" Book's Engraving-Octavien Dalvimart, “The Costume of Turkey”, London 1802. Colored in its period.
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![De Bruyn, Route d’Amsterdam a Moscow et de la a Ispahan et Gamron Map-Kupferstich von J. Keyser, Route d’Amsterdam a Moscow et de la a Ispahan et Gamron, Amsterdam, c.1718.
Elaborate map of Europe, Middle East, Turkey and Central Asia showing the route of Cornelis De Bruyn's voyage in 1701 over Moscow, Iran and Central Asia.
Dutch artist De Bruyn traveled to Moscow, Persia and the East Indies in 1701, at the age of 50, and named cities, villages and caravanserais in detail along the route.]()
Lot No: 38
Lot: 38
De Bruyn, Route d’Amsterdam a Moscow et de la a Ispahan et Gamron Map-Kupferstich von J. Keyser, Route d’Amsterdam a Moscow et de la a Ispahan et Gamron, Amsterdam, c.1718. Elaborate map of Europe, Middle East, Turkey and Central Asia showing the route of Cornelis De Bruyn's voyage in 1701 over Moscow, Iran and Central Asia. Dutch artist De Bruyn traveled to Moscow, Persia and the East Indies in 1701, at the age of 50, and named cities, villages and caravanserais in detail along the route.
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![Engraving from Epitome Theatri Orbis Terraum by Ortelius - Geographic Map of the Orvietum Region-Beautiful geographic map of the Orvietum region taken from Abraham Ortelius' pocket atlas, Epitome Theatri Orbis Terraum, published in Amsterdam in 1602.]()
Lot No: 39
Lot: 39
Engraving from Epitome Theatri Orbis Terraum by Ortelius - Geographic Map of the Orvietum Region-Beautiful geographic map of the Orvietum region taken from Abraham Ortelius' pocket atlas, Epitome Theatri Orbis Terraum, published in Amsterdam in 1602.
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![Engraving from Epitome Theatri Orbis Terraum by Ortelius - Geographic Map of the Helvetia Region-Beautiful geographic map of the Helvetia region taken from Abraham Ortelius' pocket atlas, Epitome Theatri Orbis Terraum, published in Amsterdam in 1602. Scale and projections are available.]()
Lot No: 40
Lot: 40
Engraving from Epitome Theatri Orbis Terraum by Ortelius - Geographic Map of the Helvetia Region-Beautiful geographic map of the Helvetia region taken from Abraham Ortelius' pocket atlas, Epitome Theatri Orbis Terraum, published in Amsterdam in 1602. Scale and projections are available.
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!["Chekerdji" Brindesi, Souvenirs de Constantinople Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul.
Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. A scene from Grand Bazaar. With Brindesi's signature.]()
Lot No: 41
Lot: 41
"Chekerdji" Brindesi, Souvenirs de Constantinople Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul. Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. A scene from Grand Bazaar. With Brindesi's signature.
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!["Bazar a Constantinople" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul.
Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. A scene from Grand Bazaar.]()
Lot No: 42
Lot: 42
"Bazar a Constantinople" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul. Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. A scene from Grand Bazaar.
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!["Une Rue a Constantinople" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul.
Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. A street in Istanbul.]()
Lot No: 43
Lot: 43
"Une Rue a Constantinople" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul. Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. A street in Istanbul.
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!["Voiture" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul.
Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. Ottoman carriage.]()
Lot No: 44
Lot: 44
"Voiture" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul. Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. Ottoman carriage.
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!["Dames du Palais du Sultan / Kyzlar Agha" Brindesi, "Souvenirs de Constantinople" Kitabı Gravürü-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul.
Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. Women of the Sultan's harem on their promenade, chaperoned by Kislar Aga, head of the eunuchs of the Imperial Palace.]()
Lot No: 45
Lot: 45
"Dames du Palais du Sultan / Kyzlar Agha" Brindesi, "Souvenirs de Constantinople" Kitabı Gravürü-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul. Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. Women of the Sultan's harem on their promenade, chaperoned by Kislar Aga, head of the eunuchs of the Imperial Palace.
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!["Kaiq" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul.
Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. Passenger boat connecting the eastern and western coasts of the Bosporus with Rumeli Castle in the background.]()
Lot No: 46
Lot: 46
"Kaiq" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul. Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. Passenger boat connecting the eastern and western coasts of the Bosporus with Rumeli Castle in the background.
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!["Amiraute" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul.
Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. The Chief Admiral of the Ottoman fleet on his way to his ship, ready for departure.]()
Lot No: 47
Lot: 47
"Amiraute" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul. Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. The Chief Admiral of the Ottoman fleet on his way to his ship, ready for departure.
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!["Tophane" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul.
Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. The court of Kiliç Ali Pasha Mosque at Tophane, Istanbul.]()
Lot No: 48
Lot: 48
"Tophane" Brindesi, "Souvenirs de Constantinople" Book's Engraving-Italian-born painter Giovanni Brindesi (1826-1888) lived in Istanbul during the reign of Sultan Abdülmecit (1831-1861) and painted scenes from Ottoman daily-life and army life during this period. Brindesi's paintings were translated into lithograph engravings by the famous Lemercier publishing house in Paris and published in two volumes in 1855 and 1860. One of the volumes depicts the clothes of people, mostly of Ottoman courtesy, and the other shows scenes of daily life in Istanbul. Souvenirs de Constantinople, Lemercier, Paris, 1855-1860. The court of Kiliç Ali Pasha Mosque at Tophane, Istanbul.
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![German "Loewe" Type 2H3N Radio-Type 2H3N "Loewe" German radio receiver made in 1928, equipped with 2 Loewe tubes 2HF and 3NF, bridge-coil couplers on both sides and in its wood case. In working condition.]()
Lot No: 49
Lot: 49
German "Loewe" Type 2H3N Radio-Type 2H3N "Loewe" German radio receiver made in 1928, equipped with 2 Loewe tubes 2HF and 3NF, bridge-coil couplers on both sides and in its wood case. In working condition.
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![French "Radio L.L." Branded Superheterodyne Model A Radio-French "Radio L.L. (Lucien Levy, LL Radio)" branded, model A superheterodyne radio receiver made in 1925, in its wooden case. In working condition.]()
Lot No: 50
Lot: 50
French "Radio L.L." Branded Superheterodyne Model A Radio-French "Radio L.L. (Lucien Levy, LL Radio)" branded, model A superheterodyne radio receiver made in 1925, in its wooden case. In working condition.
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![Australian "Ingelen" Branded Radio-Austrian "Ingelen" branded Columbus 51GW model radio. In working condition.]()
Lot No: 51
Lot: 51
Australian "Ingelen" Branded Radio-Austrian "Ingelen" branded Columbus 51GW model radio. In working condition.
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!["Baltic" Super 20 Swedish Radio Receiver-Swedish "Baltic" branded superheterodyne, battery operated radio receiver with 2 wavelengths. In working condition.]()
Lot No: 52
Lot: 52
"Baltic" Super 20 Swedish Radio Receiver-Swedish "Baltic" branded superheterodyne, battery operated radio receiver with 2 wavelengths. In working condition.
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![Dutch "Philips" Branded Radio Receiver-Dutch "Philips" branded 38C model radio receiver made in 1933. In working condition.]()
Lot No: 53
Lot: 53
Dutch "Philips" Branded Radio Receiver-Dutch "Philips" branded 38C model radio receiver made in 1933. In working condition.
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!["Türk Telsiz Telefon A.Ş." Branded Model 6 CE Tombstone Radio-Türk Telsiz Telefon A.Ş. table radio in 1930's Tombstone style, in its wooden case. Its internal mechanism was made by American RelianceDie & Stamping Co. In working condition.]()
Lot No: 54
Lot: 54
"Türk Telsiz Telefon A.Ş." Branded Model 6 CE Tombstone Radio-Türk Telsiz Telefon A.Ş. table radio in 1930's Tombstone style, in its wooden case. Its internal mechanism was made by American RelianceDie & Stamping Co. In working condition.
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![American "Zenith" Branded Model J402 Vintage Radio-American "Zenith" branded, model J402 vintage maroon plastic case portable radio made in 1952. In working condition.]()
Lot No: 55
Lot: 55
American "Zenith" Branded Model J402 Vintage Radio-American "Zenith" branded, model J402 vintage maroon plastic case portable radio made in 1952. In working condition.
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!["Sony" CRF-160 13-Band Radio Receiver-"Sony" CRF 160 model transistor offshore radio made in 1972 with FM player. In working condition.]()
Lot No: 56
Lot: 56
"Sony" CRF-160 13-Band Radio Receiver-"Sony" CRF 160 model transistor offshore radio made in 1972 with FM player. In working condition.
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!["Zenith" Transoceanic Radio Receiver-"Zenith" D7000Y model, transoceanic radio manufactured between 1973-1978 with a protective front cover that folds open and a compass inside. In working condition.]()
Lot No: 57
Lot: 57
"Zenith" Transoceanic Radio Receiver-"Zenith" D7000Y model, transoceanic radio manufactured between 1973-1978 with a protective front cover that folds open and a compass inside. In working condition.
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!["Westinghouse" 648T4 Model 477 Radio-"Westinghouse" model 648T4 white radio made in 1955. In working condition.]()
Lot No: 58
Lot: 58
"Westinghouse" 648T4 Model 477 Radio-"Westinghouse" model 648T4 white radio made in 1955. In working condition.
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!["Stromberg-Carlson Co." American Radio-American brand "Stromberg-Carlson Co." 635 model "Treasure Chest" radio made in 1928-29 of fully grained American Walnut cabinet has one dial (primary tuning control knob) and the numbers are illuminated with seven tubes, TRF and 2 AFs. In working condition.]()
Lot No: 59
Lot: 59
"Stromberg-Carlson Co." American Radio-American brand "Stromberg-Carlson Co." 635 model "Treasure Chest" radio made in 1928-29 of fully grained American Walnut cabinet has one dial (primary tuning control knob) and the numbers are illuminated with seven tubes, TRF and 2 AFs. In working condition.
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![Dodge Car Radio-Ahşap kasası içinde "Dodge" marka araba radyonun. Haliyle.]()
Lot No: 60
Lot: 60
Dodge Car Radio-Ahşap kasası içinde "Dodge" marka araba radyonun. Haliyle.
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!["Andrea Radio" American Radio-American brand "Andrea Radio" radio in a wooden neo-classical case, made in 1937. In working condition.]()
Lot No: 61
Lot: 61
"Andrea Radio" American Radio-American brand "Andrea Radio" radio in a wooden neo-classical case, made in 1937. In working condition.
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!["Mc Michael" English Picnic Radio-British picnic radio branded "Mc Michael" in a wooden case made in 1947. Model 483 with handle. In working condition.]()
Lot No: 62
Lot: 62
"Mc Michael" English Picnic Radio-British picnic radio branded "Mc Michael" in a wooden case made in 1947. Model 483 with handle. In working condition.
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![American "Sparton" Branded Radio-American "Sparton" branded radio in its wooden case. In working condition.]()
Lot No: 63
Lot: 63
American "Sparton" Branded Radio-American "Sparton" branded radio in its wooden case. In working condition.
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![Swedish "Baltic" Branded Radio Receiver-Swedish "Baltic" branded superheterodyne, battery operated radio receiver with 2 wavelengths. In working condition.]()
Lot No: 64
Lot: 64
Swedish "Baltic" Branded Radio Receiver-Swedish "Baltic" branded superheterodyne, battery operated radio receiver with 2 wavelengths. In working condition.
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!["RCA Victor Company" American Radio-American "RCA Victor Company" branded radio in a wooden neo-classical case made in 1934. The Model 143 Tombstone has eight tubes and a four-band superheterodyne receiver required for its operation. The wooden neo-classical case is made of walnut with its original veneer and speaker cloth.]()
Lot No: 65
Lot: 65
"RCA Victor Company" American Radio-American "RCA Victor Company" branded radio in a wooden neo-classical case made in 1934. The Model 143 Tombstone has eight tubes and a four-band superheterodyne receiver required for its operation. The wooden neo-classical case is made of walnut with its original veneer and speaker cloth.
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!["His Master's Voice" English Radio-British "His Master's Voice" branded radio in its wooden case, made in 1948. The Model 5100 is equipped with six tubes and a superheterodyne receiver, which are necessary for its operation. The radio, which is divided into two parts with wooden details, has a speaker cloth, knobs for volume and wave adjustment. In working condition.]()
Lot No: 66
Lot: 66
"His Master's Voice" English Radio-British "His Master's Voice" branded radio in its wooden case, made in 1948. The Model 5100 is equipped with six tubes and a superheterodyne receiver, which are necessary for its operation. The radio, which is divided into two parts with wooden details, has a speaker cloth, knobs for volume and wave adjustment. In working condition.
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!["Zenith" American Radio-American "Zenith" branded radio in its wooden neo-classical case made in 1937-38. The Model 8-A-232 Tombstone has eight tubes and superheterodyne receivers required for its operation. The wooden neo-classical case is made of walnut with original veneer and speaker cloth. In working condition.]()
Lot No: 67
Lot: 67
"Zenith" American Radio-American "Zenith" branded radio in its wooden neo-classical case made in 1937-38. The Model 8-A-232 Tombstone has eight tubes and superheterodyne receivers required for its operation. The wooden neo-classical case is made of walnut with original veneer and speaker cloth. In working condition.
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!["Philco" American Radio-American "Philco" branded radio in a wooden case made in 1936-37. The Model 37-2620 Tombstone has six tubes and superheterodyne receivers required for its operation. The wooden neo-classical case is original veneer and has a speaker cloth. In working condition.]()
Lot No: 68
Lot: 68
"Philco" American Radio-American "Philco" branded radio in a wooden case made in 1936-37. The Model 37-2620 Tombstone has six tubes and superheterodyne receivers required for its operation. The wooden neo-classical case is original veneer and has a speaker cloth. In working condition.
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!["Philco" American Radio-American "Philco" branded radio in a wooden case made in 1938. The Model 38-2620 "The Big Bullet" has six tubes and superheterodyne receivers required for its operation. The wooden neo-classical case is original veneer and has a speaker cloth. In working condition.]()
Lot No: 69
Lot: 69
"Philco" American Radio-American "Philco" branded radio in a wooden case made in 1938. The Model 38-2620 "The Big Bullet" has six tubes and superheterodyne receivers required for its operation. The wooden neo-classical case is original veneer and has a speaker cloth. In working condition.
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!["Philco" American Radio-American "Philco" branded radio in a wooden case made in 1933. The Model 261E "Cathedral Cabinet" has five tubes and superheterodyne receivers required for operation. The wooden neo-classical case is original veneer and has a speaker cloth. In working condition.]()
Lot No: 70
Lot: 70
"Philco" American Radio-American "Philco" branded radio in a wooden case made in 1933. The Model 261E "Cathedral Cabinet" has five tubes and superheterodyne receivers required for operation. The wooden neo-classical case is original veneer and has a speaker cloth. In working condition.
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!["Neufeldt & Kuhnke, Kiel" Speaker-German "Neufeldt & Kuhnke, Kiel" branded loudspeaker made in 1925. Without a cable.]()
Lot No: 71
Lot: 71
"Neufeldt & Kuhnke, Kiel" Speaker-German "Neufeldt & Kuhnke, Kiel" branded loudspeaker made in 1925. Without a cable.
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![American "Ansonia Clock Company" Table Clock-Table clock made in New York, USA by the "Ansonia Clock Company" in the 1900s, in a carved case made of oak wood with Roman numeral dial. The front glass is decorated with leaf patterns made of silver gilding. As it is.]()
Lot No: 72
Lot: 72
American "Ansonia Clock Company" Table Clock-Table clock made in New York, USA by the "Ansonia Clock Company" in the 1900s, in a carved case made of oak wood with Roman numeral dial. The front glass is decorated with leaf patterns made of silver gilding. As it is.
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![Zenith Table Clock-Swiss "Zenith" branded table clock. In working condition.]()
Lot No: 73
Lot: 73
Zenith Table Clock-Swiss "Zenith" branded table clock. In working condition.
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![1930's Art Deco "8 Day Mantle" Clock-Art Deco style table clock made in 1930s, with the inscription "Chronometer Observator, 8 Days" inside. As it is.]()
Lot No: 74
Lot: 74
1930's Art Deco "8 Day Mantle" Clock-Art Deco style table clock made in 1930s, with the inscription "Chronometer Observator, 8 Days" inside. As it is.
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![French Wall Clock-French wall clock with Ottoman numerals on the dial, "R=A" pendulum, produced for the Ottoman market in the early 1900s. There are small cracks on the dial. As it is.]()
Lot No: 75
Lot: 75
French Wall Clock-French wall clock with Ottoman numerals on the dial, "R=A" pendulum, produced for the Ottoman market in the early 1900s. There are small cracks on the dial. As it is.
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!["American Clock Company" Inscribed Wall Clock-Wall clock with inscription in Ottoman "Amerikan Watch Company", circa 1920, made for the Ottoman market, with new mechanics. As it is.]()
Lot No: 76
Lot: 76
"American Clock Company" Inscribed Wall Clock-Wall clock with inscription in Ottoman "Amerikan Watch Company", circa 1920, made for the Ottoman market, with new mechanics. As it is.
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![Junhangs Wall Clock-"Junghans" wall clock for the Ottoman market between 1880-1910 with inscription in Ottoman. As it is.]()
Lot No: 77
Lot: 77
Junhangs Wall Clock-"Junghans" wall clock for the Ottoman market between 1880-1910 with inscription in Ottoman. As it is.
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![Ottoman Wall Clock-Ottoman wall clock with dial with Ottoman Turkish inscriptions. The numerals are black enamel. New mechanics is used.]()
Lot No: 78
Lot: 78
Ottoman Wall Clock-Ottoman wall clock with dial with Ottoman Turkish inscriptions. The numerals are black enamel. New mechanics is used.
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![Junhangs Wall Clock-"Junhangs" wall clock with mahogany base and metal dial. In working condition, without key.]()
Lot No: 79
Lot: 79
Junhangs Wall Clock-"Junhangs" wall clock with mahogany base and metal dial. In working condition, without key.
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![English Wall Clock-Produced for the Ottoman market, with the inscription "Talibar - London" in Ottoman Turkish, with bronze dial with old Turkish numerals. The inside of the numerals is black enameled, the case is made of mahogany wood. As it is, without a pendulum.]()
Lot No: 80
Lot: 80
English Wall Clock-Produced for the Ottoman market, with the inscription "Talibar - London" in Ottoman Turkish, with bronze dial with old Turkish numerals. The inside of the numerals is black enameled, the case is made of mahogany wood. As it is, without a pendulum.
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![Henry Browne & Son Ltd. Ships Clock-Henry Browne & Son Ltd. branded ship's watch in with roman numerals made in England.]()
Lot No: 81
Lot: 81
Henry Browne & Son Ltd. Ships Clock-Henry Browne & Son Ltd. branded ship's watch in with roman numerals made in England.
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![English Ships Clock-English ship's watch, pecially made for the Ottoman market between 1880s–1890s with mahogany case and white enamel dial with inscription in Ottoman.]()
Lot No: 82
Lot: 82
English Ships Clock-English ship's watch, pecially made for the Ottoman market between 1880s–1890s with mahogany case and white enamel dial with inscription in Ottoman.
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